By Bob Dylan

When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine
Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm taking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
But then again you know why they're around
Just waiting for a chance to slip and drop down
"Cause sometimes you hear'em when the night times comes creeping
And you fear that they might catch you a-sleeping
And you jump from yer bed, from yer last chapter of dreamin'
And you can't remember for the best of yer thinking
If that was you in the dream that was screaming
And you know that it's something special you're needin'
And you know that there's no drug that'll do for the healin'
And no liquor in the land to stop yer brain from bleeding
And you need something special
Yeah, you need something special all right
You need a fast flyin' train on a tornado track
To shoot you someplace and shoot you back
You need a cyclone wind on a stream engine howler
That's been banging and booming and blowing forever
That knows yer troubles a hundred times over
You need a Greyhound bus that don't bar no race
That won't laugh at yer looks
Your voice or your face
And by any number of bets in the book
Will be rollin' long after the bubblegum craze
You need something to open up a new door
To show you something you seen before
But overlooked a hundred times or more
You need something to open your eyes
You need something to make it known
That it's you and no one else that owns
That spot that yer standing, that space that you're sitting
That the world ain't got you beat
That it ain't got you licked
It can't get you crazy no matter how many
Times you might get kicked
You need something special all right
You need something special to give you hope
But hope's just a word
That maybe you said or maybe you heard
On some windy corner 'round a wide-angled curve

But that's what you need man, and you need it bad
And yer trouble is you know it too good
"Cause you look an' you start getting the chills

"Cause you can't find it on a dollar bill
And it ain't on Macy's window sill
And it ain't on no rich kid's road map
And it ain't in no fat kid's fraternity house
And it ain't made in no Hollywood wheat germ
And it ain't on that dimlit stage
With that half-wit comedian on it
Ranting and raving and taking yer money
And you thinks it's funny
No you can't find it in no night club or no yacht club
And it ain't in the seats of a supper club
And sure as hell you're bound to tell
That no matter how hard you rub
You just ain't a-gonna find it on yer ticket stub
No, and it ain't in the rumors people're tellin' you
And it ain't in the pimple-lotion people are sellin' you
And it ain't in no cardboard-box house
Or down any movie star's blouse
And you can't find it on the golf course
And Uncle Remus can't tell you and neither can Santa Claus
And it ain't in the cream puff hair-do or cotton candy clothes
And it ain't in the dime store dummies or bubblegum goons
And it ain't in the marshmallow noises of the chocolate cake voices
That come knockin' and tappin' in Christmas wrappin'
Sayin' ain't I pretty and ain't I cute and look at my skin
Look at my skin shine, look at my skin glow
Look at my skin laugh, look at my skin cry
When you can't even sense if they got any insides
These people so pretty in their ribbons and bows
No you'll not now or no other day
Find it on the doorsteps made out-a paper mache¥
And inside it the people made of molasses
That every other day buy a new pair of sunglasses
And it ain't in the fifty-star generals and flipped-out phonies
Who'd turn yuh in for a tenth of a penny
Who breathe and burp and bend and crack
And before you can count from one to ten
Do it all over again but this time behind yer back
My friend
The ones that wheel and deal and whirl and twirl
And play games with each other in their sand-box world
And you can't find it either in the no-talent fools
That run around gallant
And make all rules for the ones that got talent
And it ain't in the ones that ain't got any talent but think they do
And think they're foolin' you
The ones who jump on the wagon
Just for a while 'cause they know it's in style
To get their kicks, get out of it quick
And make all kinds of money and chicks
And you yell to yourself and you throw down yer hat
Sayin', "Christ do I gotta be like that
Ain't there no one here that knows where I'm at
Ain't there no one here that knows how I feel
Good God Almighty
THAT STUFF AIN'T REAL"

No but that ain't yer game, it ain't even yer race
You can't hear yer name, you can't see yer face
You gotta look some other place
And where do you look for this hope that yer seekin'
Where do you look for this lamp that's a-burnin'
Where do you look for this oil well gushin'
Where do you look for this candle that's glowin'
Where do you look for this hope that you know is there
And out there somewhere
And your feet can only walk down two kinds of roads
Your eyes can only look through two kinds of windows
Your nose can only smell two kinds of hallways
You can touch and twist
And turn two kinds of doorknobs
You can either go to the church of your choice
Or you can go to Brooklyn State Hospital
You'll find God in the church of your choice
You'll find Woody Guthrie in Brooklyn State Hospital

And though it's only my opinion
I may be right or wrong
You'll find them both
In the Grand Canyon
At sundown

Blog Index
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Wednesday
Feb062013

Macklemore & Ryan Lewis (words and photo) / The Lumineers (photo)

NiteGuide Magazine, November 2012

Macklemore (Ben Haggerty) walked onstage like a man with the world at his fingertips, full of confidence and swagger. When he turned his back to the audience with one arm extended, I wondered for a moment if this would be a show inflated with ego and self indulgence. From the moment he spun around to face the crowd until the last note of the encore, Macklemore and beat master Lewis proved me wrong -in a huge way.

Monday
Feb042013

Imagine Dragons' Dan Reynolds and Nico Vega's Aja Volkman-Reynolds' Weirdly Perfect Romance

LA Weekly, July 2012

The rock and roll fairy tale has more to do with booze-fueled, groupie-filled nights than it does babies and happily-ever-after romances. But for Dan Reynolds and Aja Volkman-Reynolds, the latter is proving to be true.

At first glance the pair are a bit of an odd couple, Reynolds towering over Volkman-Reynolds' tiny frame. Yet moments into observing their quirky compatibility, the pair are completely charming. Both serve as lead singers of separate rock bands, he with indie outfit Imagine Dragons and she with L.A. favorites Nico Vega. The two met in 2010 after playing at Wasted Space in Las Vegas, where they performed on the same bill. While they felt an immediate spark, marriage wasn't exactly on either of their radars.

Monday
Feb042013

 

EDM's Leading Ladies: NERVO

NiteGuide Magazine, November 2012

After working with pop divas and starlets alike, (the girls have penned songs with Kelly Rowland, Kylie Minogue, Ke$ha, and The Pussycat Dolls) NERVO made the transition from demo vocalists for their sing- ers to vocalists on their own material. Self proclaimed clubbers and ravers, Liv shared they prefer the grind of the DJ lifestyle versus a life in the pop mainstream, stating “Where pop stars live the glamorous life, DJs dig into the nitty gritty.”


Wednesday
Jun062012

Above & Beyond
NiteGuide Magazine, June 2012

"With an inundating flood of “Superstar DJs” funneling into the mainstream, three producers are championing the underground –a place that for all intents and purposes is constantly evolving. Tony McGuinness, Paavo Silijamäki and Jono Grant comprise Above & Beyond, a trio of electronic musicians currently sweeping the nation."

 

Wednesday
Jun062012

Grace Potter & The Nocturnals
Niteguide Magazine, August 2011 

"During their collective 10  years as a band, music festivals initially provided the Vermont natives with the platform necessary to reach the masses. After countless festival appearances, GPN performed on the prestigious main stage at The Bonnaroo Music and Arts Festival in June, and headlined both nights of their self-constructed Grand Point North Festival. Their hard earned success brings validation to the group, and allows room to acknowledge the benefits of being a hard working rock band."

Wednesday
Jun062012

Tiësto
NiteGuide Magazine, April 2012

"If there’s one DJ who evokes immediate recognition, it’s Tiësto. The global superstar continues to write electronic dance music history by attaining genre firsts. He set new industry standards in 2002 by selling  out an arena in the UK, performed at the Olympic opening ceremonies in Athens, and recently gave Twitter its first-ever real time performance to millions of fans. With the rise of EDM in America soaring to new heights, the highly regarded music man offers precious insight into the stateside acceptance of electronic dance music." 

Wednesday
Jun062012

Electric Guest
Niteguide Magazine, May 2012

"Electric Guest creates distinct movement in their music. A movement that stirs emotion in the listener, unlocking a synth-tinged soulfulness that’s heavy on pop-savvy and wrought with hipster groove. Recently releasing their debut full-length album, Mondo, Electric Guest is indie-soul at its finest."

Wednesday
Jun062012

Captain Paul Watson of Whale Wars
LifeAbove11, June 2011

 "Captain Paul Watson achieved mainstream popularity after the success of Animal Planet’s controversial show “Whale Wars.” Now in it’s fourth season, the show follows the Captain and his fleet on their missions to protect sea life. Captain Paul Watson has spent his life pursuing those behind the reckless slaughter of whales and dolphins, through his Sea Shepherd organization. Often criticized for his interventionist approach, he has intervened with whaling to the extent of absorbing damage to his own ships, and led the fight to end whaling throughout the worlds oceans." 

LifeAbove11.com

Wednesday
Jun062012

Lissie
NiteGuide Magazine, April 2012

"With so much heavy weight touring under her belt, Lissie’s love affair with music festivals began as a spectator when she attended Bonnaroo at the age of nineteen. Barefoot and completely immersed in Bonnaroo’s atmosphere, the experience played an integral role in her appreciation of the circuit. Lissie and her exceptional band played over twenty music festivals last summer alone and are set to hit the carousel again this summer, starting with a coveted slot on the Coachella 2012 lineup. With all the romanticized notions of playing a music festival, Lissie notes that hard work is an essential and less-than-glamourous component of the scene."

Wednesday
Jun062012

Egyptian: A Modern Rock Romance
LifeAbove11, April 2011

"With all the debate and angst that’s fallen on our shadowy generation, it’s easy to fall victim to cynicism and lack of identity. Every era in America has experienced strife and doubt, with the current times being no exception. Yet through every generation lies a common comfort. Music. From the simplicity and effectiveness of a striking love song, to the complex nature of intricately threaded concept albums, music has channeled America into avenues of commonality.

LifeAbove11.com

Wednesday
Jun062012

The Rise of EDM
NiteGuide Magazine, March 2012

"Signs of mainstream acceptance exist in every facet of the entertainment industry, from an Oscar win by Trent Reznor and Atticus Ross for their electronic score for The Social Network in 2011, to the amazing haul of Grammy awards that Dubstep king Skrillex took home in February. Many artists agree that social media outlets and YouTube played crucial roles in industry acceptance, where the volume of fan feed back can be measured, and word-of-mouth propels artists to new levels. The momentum of the electronic movement is backed further by the performance of supergroup Swedish House Mafia at Madison Square Garden in New York, making the trio the first electronic act to play-and subsequently sell out-the iconic venue."

 

Wednesday
Jun062012

Atmosphere 
NiteGuide Magazine, November 2011 

"Purists argue that the current state of hip hop has shifted into a commercial landslide, and with the rise of web-based media, criticisms lurk around every corner. Now championed as an underground hip hop hero, Daley could quickly side with the mainstream disapproval, but resists. The veteran rapper admits to gaining insight over the years, questioning the times early in his career when he quickly wrote off various types of rap music."

Wednesday
Jun062012

Linkin Park Save The Children Japan
LifeAbove11, September 2011 

"Engaging with fans was clearly a priority for Linkin Park at the energized show. Considering the group has sold over 27 million records worldwide and played to crowds of over 100,000, the tiny venue was truly a gift to die hard Linkin Park fans. During what some would consider a bootleggers dream, the boys cranked out hit after hit, where an obvious connection sizzled between the band and the crowd. Ripping through radio hits including “Faint,” “Numb,” and “In The End,” the group also played fan favorites such as “No More Sorrow,” and “Iridescent.” The California natives also relaxed for a moment, performing the acoustic track “The Messenger.”

LifeAbove11.com

Wednesday
Jun062012

Young The Giant 
NiteGuide Magazine, October 2011

"The album itself offers intelligent instrumentals with pleasing harmonies, and  charismatic frontman Sameer Gadhia brings their style full circle. The seamless sound of the album was captured-somewhat surprisingly-by recording it completely live, with the band playing together for each track. The crispness of the record is a direct reflection of producer Joe Chicarelli, who’s known for bringing out the best in bands such as The White Stripes, My Morning Jacket, and The Shins. 'He kinda beat the crap out of us,' Comtois laughingly shared. 'He really made us work at our instruments, our songwriting, and fine tuned our focus. It was a combination of those things.'" 

Wednesday
Jun062012

POD and Norma Lopez 
LifeAbove11, September 2010

"After selling more than 8 million records, being nominated for three Grammyʼs, anddefying stereotypes and expectations, P.O.D. remains accessible to the people.

Guitarist Marcos Curiel shared with Life Above 11 the drive behind playing the "NeverAgain" benefit concert, dedicated to slain Moreno Valley high school student Norma Lopez. Curiel also candidly shed light on their upcoming album, the bands attitude, and how P.O.D.ʼs army of fans acquired the name "Warriors."

LifeAbove11.com

Wednesday
Jun062012

Grouplove
NiteGuide Magazine, February 2012

"The story of how a band comes together generally begins through similar paths, whether forming in high school or college, or seeking out members through newspaper ads - and more recently via social media. With an unending list of bands who united under these terms, Grouplove’s story begins under slightly different circumstances. They formed on the Greek island of Crete." 

Wednesday
Jun062012

Amy Winehouse
Niteguide Magazine, August 2011 

..."I had the opportunity to attend Coachella that year, and Amy was high on my priority list. I wish I could say that her performance moved me as much as her album, but Amy had already entered into the lifestyle that would be her eventual demise. Unable to finish her cover of Lauryn Hill’s “That Thing,” her back up singers finished the tune for her. There were glimmering moments of greatness in her performance that hot April afternoon. The unfortunate reality is that her future artistic contributions must go unrealized. Truly a gift, Amy’s music will live on forever, and influence generations to come."

 

Wednesday
Jun062012

The Bangles
NiteGuide Magazine, July 2011

"The Bangles are arguably one of the most recognizable all-girl bands in pop music history. The 80’s benefitted from their contributions, scoring multiple hits in the US and across the world, allowing the group to work with 80’s music royalty including Prince and Cyndi Lauper. 

When asked about being an inspiration, Peterson shared, “We’ve had people come up to us that look like they’re not even old enough to know who The Bangles are, and say that they’ve been listening to us since they were little, and that’s the reason they’re playing the drums or the guitar. I think there’s a lot of energy and forward motion for young women to play today. There’s certainly not as many voices saying they can’t or they shouldn’t. I think that is amazing.”
 

 

Wednesday
Jun062012

Imagine Dragons
NiteGuide Magazine, January 2012 

"Frontman Dan Reynolds and his group Imagine Dragons caught the attention of producer extraordinaire Alex da Kid (Rihanna, Eminem, Sklyar Grey) with their anthemic indie-popster sound. Now signed with Interscope and it’s subsidiary KidinaKorner, NiteGuide phoned the Vegas native in between recording sessions to hear how Sin City influenced the band, and what to expect in 2012."

Wednesday
Jun062012

Carl Cox 
NiteGuide Magazine, March 2011

"Legendary DJ Carl Cox rose to fame in the early stages of the electronic scene, and over the past two decades acquired  the “Best DJ” title by multiple magazines including MixMag, Muzik, and the International Dance Commission.  A longtime household name in the UK, and  an EDM superstar in the US, NiteGuide had the pleasure of catching up with Carl about the nuances of his first US gig, his integral history with Ultra, and why his new album will keep you on the dance floor."